original

II: Human Carriage

I: Human Carriage

 

Emptiness leaves, replaced by a vague feeling of comfort. For, see, I have inserted things into space. And that leaves me happy.
Six of them, well, five and a child in their mother’s arms – I am even worse at judging a baby’s sex – fill up the space and I climb into the carriage behind the last man to enter.
Here we are.
All full in here. I am happy with this.
So I lock the doors as I do every time.
Can’t have that kid leaping off to his life. That would be backwards.
Oh no!
Can’t have that.
So I lock them tight.
-If you’re comfortable? I say. I speak in short sentences. Like I do every time. Simple. Short. Disconnected. Easy.
-If you’re comfortable? repeat I, just to ask again. But their eyes are still the same. So I give a hollow smile with full cheeks. -Alright. Sit loose. I will leave you now. A few minutes. To tell the Driver to go.
So I leave, just like that. I tell the Driver to go.
Or, I find my way to the Driver. It’s not an easy feat sometimes. He tends to leave empty coke bottles lying around. He seems fond of the stuff.
Only in glass bottles though.
Never plastic ones.
I hear he collects the caps. The metal caps you could cut yourself on. Maybe
his scars on his knuckles are there for a reason?
Because obsession is painful. Right?

Still.
I steal my way through the forest of upwards snouts.
Bottles, three here, five over there, all huddled like penguins.
Or… sardines, I suppose.
Hah!
What.
-Evening, I say to our Driver.
-Awright? he says to me. Not drinking a coke. Surprisingly. Maybe he doesn’t need the sugar boost just yet.
-Alright? I say back. I didn’t mean to.
He has a smile, just a little few seconds of a smile to ease me. He’s been around me long enough to
know my foibles. Know what I can be like sometimes. Echoing things. Screaming things. Repeating things. Copying things.
-Awright? he says again, but I keep mute this time.
Don’t want to make a fool
of myself.
Do I?
-We off? he says.
I tell him, -Yes. Everyone’s on. Settled. Sat. Comfortable.
-Everyone’s fine.
-Yeh. ‘Kay. Go sit. I’m moving.
-Alright, I look around as he swings to face the forwards direction. I don’t know how he Drives the train.
I suppose he presses forward.
I stare on the floor, at all the empty bottles, I ask if I can take one.
-Go mad.
Does he mean it literally?
I do not ask, merely pluck one off the floor. By the neck.
I don’t want to touch what has the Driver’s spit on it.
-I’ll sit.
-Yeh.
-Okay.
I leave him. No matter how awkward the conversation sounds-
or ‘convo’ as he’d say-
I never really come away rolling my eyes at myself.

So I find my way to my own seat with the bottle.
I want to wipe the opening. Quite
badly.
I don’t want to know where it’s been.
Really.
It might be dusty. But.
There isn’t much to wipe the snout with here.
So I have to use my glove. Very disgusting, especially when I imagine it all.
Oh.
No.

I rest the bottle between my knees and look over my shoulder. I cannot see the people.
There is a wall between us.
But somehow, looking their way is a comfort. For some reason.
I look their way. Are they alright?
My people?
My six?
My five and a child? They’re alright?
They’re awright?
I look back to the bottle. Just resting there as the train begins to shift a little. Like a living thing. It shrugs this way… and that way… before picking up speed it never seems to possess.
To me, to the me who has ridden the train the amount of times as unbent metal bottle tops in the world, it shouldn’t be surprising – should it – the speed the train has. But it is, every time it is.
Just starts off so slow… so slow indeed.
But then.
Two seconds.
Sixty- seventy- eighty!
Fairly skipping along the sleepers.
At least, I think there are sleepers.
On this track?
I actually cannot remember.
But.
Not important.
We are skipping though. And I look at my bottle for a few minutes.
Look at its emptiness.
I should do something about that.

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LongManPigMan Concept Art

I could do something with this.
If I can stand to look at it for more than a two seconds without my brain screaming, anyway.

ForestLongManPigMan

I know what its feet look like.
That means that I know what its footprints look like.

So I can tell if it’s following me.

Oh Yestin. Stick close behind me.
Have your hand on my hip and save me.
My hideous guardian angel.
Save me from the Long Man.